Outdoor sketch – Influence of Cezanne

I have started planning my next painting which will be on a larger canvas and is going to be of a view near here looking down on a farm surrounded by fields and vineyards with distant hills. Here is my initial charcoal outline on the canvas.Plein air sketch in ProvenceCharcoal outline of farm in Provence

I find I am considerably influenced by Cezanne at the moment, probably because he painted many scenes of the countryside around his home at Aix en Provence, not too far away from my local village. I particularly like his studies of trees, such as Le Grand Pin and Sous Bois and I also admire his paintings of the Mediterranean at L’ Estaque, near Marseille. In these paintings of the sea he places the line of the horizon high on the canvas, thus making it recede into the distance, whilst adopting a warm palette of colours for the buildings in the foreground.

Sous BoisPaul Cézanne Golf de Marseille vue de l'Estaque

Painting of Vidauban, Provence

I’m happy to share with WordPress my painting of Vidauban which I finished today, having been unable to work on it yesterday due to poor light caused by a day of heavy rain.            I really enjoyed creating this and when the paint is dry I will add it to my online gallery.Landscape Painting of Vidauban village, ProvenceLandscape Painting of Vidauban village, ProvenceLandscape Painting of Vidauban village, ProvenceLandscape Painting of Vidauban village, ProvenceLandscape Painting of Vidauban village, Provence


Painting in Progress

For the past couple of days I have been working on the view of Vidauban from our terrace. It is a wonderful view, with the church cradled in the middle of the village which is surrounded by hills. In the background are distant mountains, their colours ranging from green blue to blue to violet depending on the light. I am looking forward to painting this scene many times at different times of day and in different seasons. Initial drawing of Vidauban, ProvencePainting in Progress of Vidauban, Provence

This particular painting is of Vidauban mid-morning. The sun has warmed up the buildings and is catching the tree tops on the hillsides. The predominant colours are cream, terracotta, blue and greens. Unusually for me I painted the canvas with an undercoat of terracotta to cover up an earlier composition. (I had run out of canvases – this was the only one available.) However, I think the undercoat works well in contrasting with the greens. I struggled a bit to begin with in the placing of the colours and I felt rather down but I think they are beginning to come together now. If a painting doesn’t seem to be working I do get very depressed about it and doubt my ability even more than usual. However, I am reminded of Van Gogh’s words:

“If you hear a voice within you say ‘I cannot paint’, then by all means paint, and that voice will be silenced.”

View of Vidauban, ProvenceView from Terrace to Vidauban, Provence

One Lovely Blog Award

Thank you Global from Home for nominating French Paintings for the ‘One Lovely Blog’ award. I am honoured that you chose me as I am very new to blogging. I am afraid I have recently been preoccupied, but I would now like in turn to pass on the award to other bloggers whose posts I have found interesting.

Following the rules of accepting the award, here are 7 things you might not know about me:

1. I love animals – and so do my children. At one time we had 16 guinea pigs, 2 cats, 1 dog, 1 rabbit, 1 hamster, 2 gerbils and 1 lizard.

 2. My favourite meal is baguette, butter, and cheese. Just as well we moved to France!

3. As we can’t afford a car, I spend over an hour a day walking to the boulangerie to buy the baguette – no light undertaking in temperatures well above 30 degrees.

4. My three children are all gifted dancers (two of them went on to professional training as ballet dancers). Unfortunately however all three developed chronic fatigue syndrome whilst still in their teens putting an end to their childhood dreams. I think this illness has got to have a strong genetic component.

5. I love sunshine and bright colours, and when the sky is cloudy I feel miserable. No matter what problems there are, they never seem quite as bad if the sun is shining.

6. Some of the happiest times in my life have been when I was working with people with learning disabilities. I found them to be generally very warm hearted and affectionate and I got back far more than I gave.

 7. Finding seven things to say about myself has proved incredibly difficult. Much easier to write about places or painting.

Painting of Red Vines in France

And here are some others blogs I highly recommend having a look at:

reading interrupted – Sharing the joy of reading with some lovely photography

Appropriately Frayed – Thought provoking writing and highly original photography

Cancerkillingrecipe – Moving account of one person’s fight against cancer

Rowena Clarke Photography –  There are some beautiful photos of France

This American Adventuress – Travels across Europe and America

art does matter – Insightful analysis of some contemporary art

Psittacismes – Comments on literature written in English and French

Travel with Kat – Descriptive account of places visited and beautiful photography

Travel Photo Media – Captures the essence of places around the world

Becoming Madame – Interesting insights by an American lady living in Paris

Cristian Mihai – Reflections on the process of writing and being an author

Inspiration from Provence and Cezanne

I love walking round our hillside, well, its not really “our” hillside, just the one behind where we live. I’ve mentioned it before, the cone of a former volcano with a chapel right at the top which can be seen for miles around, including from the A9 autoroute a few kilometres distant. In past years when we used to come on holiday here I would point to the chapel excitedly, marvelling at its situation on the one hand (who would ever climb up there?) and on the other by the sheer beauty of the scene, with the warm peachy yellow building of the church surrounded by a forest of green trees standing out against a perfect blue sky. From the path that winds round the hillside the view is of farmland, of fields of wheat and vines with an isolated farmhouse or two.View across vineyard to Chapelle Sainte BrigitteView from Chapelle Sainte BrigitteHillside path - ProvencePines Provence

Today I was reminded of some of Cézanne’s paintings of the countryside near Aix-en-Provence, 80 kilometres from here. John Rewald writes in “Cézanne a biography” (1986)

“What was most precious was the solitude which was indispensable to him, and which was filled with memories linked to the rhythm of the seasons, the bare branches, forming complicated designs across the sky swept by the wind of winter, the trees cloaked in a tender green veil in the springtime, the stillness of the vibrant heat accentuated by the incessant stridulations of the cicadas in summer, the bunches of violet grapes on a background of rustling dead leaves in autumn.”

At the moment I am short of canvases, but like Cézanne, I feel the countryside here offers everything, is an endless source of inspiration. Paul Cézanne - La montagne Sainte-Victoire, vue de Bellevue

Painting the Olive Tree

Today I finished a painting of a lovely old olive tree growing on the hillside behind us. I very much enjoyed doing this painting as I love olive trees which for me symbolise Provence. I tackled the leaves in a slightly different way to usual, painting them individually in shades of silvery blue, rather than in my usual rather impressionistic loose manner. During the course of the painting I came across the following passage written by Van Gogh in a letter to this brother Theo, in which he describes very eloquently the changing colours of the olive trees across the seasons.

“The effect of daylight and the sky means there are endless subjects to be found in olive trees. For myself I look for the contrasting effects in the foliage, which changes with the tones of the sky. At times, when the tree bares its pale blossoms and big blue flies, emerald fruit beetles and cicadas in great numbers fly about, everything is immersed in pure blue. Then, as the bronzer foliage takes on more mature tones, the sky is radiant and streaked with green and orange, and then again, further into autumn, the leaves take on violet tones something of the colour of a ripe fig, and this violet effect manifests itself most fully with the contrast of the large, whitening sun within its pale halo of light lemon. Sometimes, too, after a shower I’ve seen the whole sky pink and orange, which gave an exquisite value and colouring to the silvery grey-greens. And among all this were women, also pink, who were gathering the fruit.”

Whilst obviously no Van Gogh, I feel very happy that I too am able to experience the changing seasons of Provence and record in paint my impressions. One cloud on the horizon at present however, is that I cannot afford to buy more canvases and so will have to content myself with sketches in the meantime.

Painting of Olive Tree in ProvenceDrawing Plein Air in ProvencePalette, paints and palette knifesImage of olive tree in ProvenceClose up photo of olive on olive tree